Tag Archives: Fergana valley

Маргилан: про прочее

Про абровые ткани писать не буду, про них уже достаточно написали посетители недавнего “Aтлас Байрама”, хотя именно  эти ткани были основной причиной нашей поездки в Маргилан.  Для тех кто не знает что такое Маргилан скажу только то, что это шелковая столица Узбекистана, где производятся знаменитые узбекские ткани, которые известны как хан атлас или икат.

Я напишу про другое, а именно …

  • В Маргилане многие передвигаются на велосипедах. Старики, дети, молодежь, тут велосипеды кругом и воздух у них соответствующий экологичности транспорта.


 

  • В Маргилане номера такси пишутся на стенах. Не надо ничего искать в golden pages или в интернете – все чётко прописано на перекрестках, углах, везде где вам может взбрести  в голову поймать такси.

 

  • Маргиланский Шелковый Комбинат (ныне “Маргилан Силк ВАЦ”)  считался 2-м текстильном комбинатом в бывшем Союзе после текстильной фабрики в Иваново. Комбинат резко сократил свои объемы после распада СССР, но никогда не переставал полностью работать – им в начале 90-х нужно было обеспечивать шёлком ремесленников, которые больше не могли работать на государственных фабриках и начали основывать свои мастерские.  На сегодняшний день комбинат производит такие ткани как газ, органза, эксельсиор, крепдешин и пр. В основном вся готовая продукция идёт на экспорт. На местном рынке остаются преимущественно шелковые нити (не знаю точную текстильную терминологию этих нитей), которые используют ремесленники для производства знаменитых абровых тканей.  По сей день комбинат работает на послевоенном оборудовании производства Les Ateliers Diederichs de Bourgoin – вот что значит настоящее качество!

Огромное спасибо директору фабрики Пулату Юлдашеву за очень интересную экскурсию!

  • В Маргилане теперь есть свой отель Ikat House Hotel. Контакты для бронирования: +998 (90) 303-3800, email: ikatuzcenter@gmail.com.  Поедите, обратите внимание на входную резную дверь – она из Хорезма, настоящий шедевр резьбы по дереву.

Напоследок хочу сказать огромное спасибо самому именитому адрасчи города Маргилана, а это значит и всего Узбекистана, Расулу Мирзаахмедову, его сыну Абдулло  и всей его семье за их истинно ферганское гостеприимство! Все что мы посмотрели мы посмотрели благодаря им. Нам показали как красятся ткани в казанах, как они ткутся на деревянных станках, как делается знаменитый ал-бахмал и многое-многое другое.

 

 

Rishtan: azure ceramics of “little Japan”

I love ceramics. I especially love hand made ceramic tiles. For the past few years I have been planning to go to Rishtan which is known as a land of azure ceramics of Uzbekistan. That trip kept getting postponed until I decided that enough was enough. So, this week I made the trip.

About three years ago at a hand made arts exhibition I met a ceramist whose work I found to be very unique. His ceramic glaze was cleaner and brighter and shapes of his pottery were strangely reminding me of the Japanese or even Scandinavian pottery. The ceramist’s name was Bakhtiyor Nazirov and he was from Rishtan. Over these three years whenever I needed unique gifts I bought them from Bakhtiyor aka. These ceramic pieces are now in possession of my friends from New York to Mumbai. When I was buying my last gift in February this year I mentioned that I would love to come to Rishtan and that’s when I received an invitation to come anytime.

So, the “anytime” day has finally come on April 25, 2017.  My weak attempt to book a hotel was futile because Bakhtiyor aka didn’t want to hear anything about it – his gusts come and stay in his house with his family, end of story!  I didn’t argue much and joyfully I came as a guest to a house-atelier of Rishtan’s one of the most outstanding ceramic artists where I spent two beautiful days with his family and apprentices.

Tired and hungry I arrived in Rishtan  around lunch time. I was immediately taken to eat to a small, very basic place with the best shashlik (kebabs) in town. As we ate Bakhtiyor aka told me how he and his brother started as apprentices. When they became very comfortable with traditional ceramic techniques they started experimenting and  developing their own colors and  glazing techniques (which are kept as family secrets, by the way). Each brother has grown to have his own ceramic atelier.

As soon as we finished with lunch we went to his house-atelier where I met his family and started learning quite interesting things.

Just to mention a few:

  • Bakhtiyor aka has four children – three sons and one daughter. Everyone of them speaks Japanese! In Rishtan a lot of kids grow up tri-lingual speaking Uzbek, Tajik (close to Farsi) and Russian – think of geographic territory these three languages cover! Those who care have an opportunity to add Japanese to their list of languages for free. But why Japanese? Because in 1990s the Japanese government’s mission in Uzbekistan opened a cultural center in Rishtan called “Noriko-Gakkyu” which to this day serves as a hub for cultural exchange.

 

  • Diyorbek, Bakhtiyor aka’s second son who follows his father’s steps in ceramics art told me that he noticed that the Japanese volunteers who came to Rishtan all had two things in common – 1) they all drew well and 2) they all knew how to play a musical instrument. Apparently, the Japanese stress early arts education because they believe that a child who is introduced to arts in the early age will grow up to be a good person.
  • Rishtan is also known as “a little Japan” because everyone knows the word “konichiva” 🙂
  • Bakhtiyor aka and Diyorbek regularly exhibit their works in Japan, another well-known ceramics culture. That’s why it comes as no surprise to see some pottery shapes and patterns which were inspired by the country of the rising Sun.

My primary interest was the process of making ceramic tiles –  I would like to use them for interiors. So, on my second day Diyorbek and his apprentice Islom walked me through the process of making tiles to which I will have to devote a separate post.

My short visit was not enough to cover  everything I wanted to cover.  It was so beautiful to see how these people live a very simple life but they make sure their children get the best education. They talk about oxides, glaze and wooden molds they will have made in Japan during their next trip because “the Japanese are really good with wood”. They teach their children to draw because it is a part of the family tradition and when these children turn 7 they too will learn how to play a musical instrument because it is a new tradition they are adopting in their “little Japan”.

A TRAVEL NOTE:  Finding Bakhtiyor Nazirov in Rishtan is simple – you just get to Rishtan and ask for ceramist Bakhtiyor Nazirov. Before arrival it is better to get in touch with Bakhtiyor Nazirov  via Facebook because he often travels. Getting to Rishtan from Tashkent takes 4 hours from Kuyluk bazaar (“пятак” where cars going to Fergana Valley congregate) and it costs around $4 for a shared ride with 3 people. Make sure you take a car which goes directly to Rishtan (avoid connection in Kokand, it will only delay your trip)